Curating.info

Michelle Kasprzak's views on contemporary art curating

Pick 'N Mix #36

Posted by Michelle Kasprzak • Wednesday, March 17. 2010 • Category: Pick 'N Mix
Welcome to another edition of Pick 'N Mix, my collections of links and news relevant to curators.

- Let's start with the slightly strange: On Yahoo! HotJobs, an article with the headline "Starving Artist? Not with These Well-Paid Creative Jobs" rhymes off a list of jobs deemed appropriate for artists to do in order to remain "creative" but also put food on the table should earnings from their artwork be a bit scant. Listing "Museum Curator" as a job that could net you $48,300 USD per year, it also characterises the job as "...unlike personality-driven jobs like interior design or fashion design, this is an area where introverted types can really excel." Visual arts career coach Rod Berg backs this up by saying, "Your personality doesn't have to be as bubbly. You can be more studious." This article seemed to be attempting (and in my view, failing) to put a positive spin on the "curator as failed artist" cliche that I also noted was present in the interview with Francesco Bonami in the last Pick 'N Mix. While it isn't the case that curatorial careers are the only ones that end up becoming stereotyped, the stereotypes that do surface in connection with curatorial work are pretty tired and in line with grave misconceptions around the accessibility of contemporary art in general.

- Of course, the stereotype of the reclusive, eccentric and bookish museum curator is one side of the coin, and the brash, self-promoting, celebrity curator is the opposite end of the spectrum of stereotypes. Or, you can shortcut directly to the celebrity part of that equation. Basketball star Shaquille O'Neal was invited to curate an exhibit entitled "Size DOES Matter," on view at New York City's FLAG Art Foundation through until May 27. PBS has produced a short clip on the exhibition, "which explores the concept of size through art, [and] features pieces such as Ron Mueck's "Big Man" sculpture and tiny versions of O'Neal and the Obama family in the eye of a needle, conceived by artist Willard Wigan. Other artists represented include Chuck Close, Jeff Koons, Elizabeth Peyton, Corban Walker and Cindy Sherman." The bio on the FLAG Foundation website lists Shaq's many accomplishments, however, a passion for art is not among them. Which begs the question: if you are going to engage a celebrity with no art credentials to curate for you, was it not possible to find one who at least is publicly noted as being passionate about contemporary art?

- "Art fairs are becoming more curatorial and biennials more commercial." Fons Hof, Director Art Rotterdam.

- File under diplomacy in action: Julie Jacobson, the wife of U.S. Ambassador to Canada David Jacobson, has struck out on her own, and curated (the Globe and Mail says "put together") an exhibit combining Canadian and American landscape artists for the official residence. "The guidelines state that art in official residences must be works by U.S. citizens, either native or naturalized. Ms. Jacobson says she was interested in building on some of the political themes of President Barack Obama, seizing on his idea of "finding common ground with our neighbours." She asked for special dispensation from State Department officials – saying that the way to find common ground was to also display Canadian artists. They agreed. The result is a 17-piece collection – eight of which are paintings from Canadian artists – called Common Ground: American and Canadian Landscape Painting. Ms. Jacobson says she chose to focus on the period around the 1920s when Canadian and American artists were beginning to discover the beauty in their own backyards." I thought this was a sweet gesture on Ms Jacobson's part.

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Pick 'N Mix #35

Posted by Michelle Kasprzak • Thursday, February 25. 2010 • Category: Pick 'N Mix
Welcome to another edition of Pick 'N Mix, my collections of links and news relevant to curators.

- There are two events coming up in March that I'd like to highlight. Friends and compatriots CRUMB are launching three books on Friday March 5 in Gateshead, UK. CRUMB's co-founders, Sarah Cook and Beryl Graham, are launching their new book Rethinking Curating: Art After New Media, published by MIT Press, and two new volumes of CRUMB dialogues published by The Green Box, Berlin. Find out more on their Facebook event page. A few time zones over in Philadelphia, USA, on Saturday March 13, a symposium entitled "Curating and Risk" will be held at Moore College. The event is the fifth in a series of public conversations about issues and ideas in contemporary curatorial practice. Admission is free but RSVPs are requested, find out more on Moore's website.

- Two new must-reads: The Exhibitionist is a new journal on exhibition making that looks like essential reading, especially as it is made by curators for curators. Also Independent Curators International has just launched Dispatch, which will host a range of curators around the world on a monthly basis. This month, the host is Sofía Olascoaga, an educational curator based in Mexico City.

- Whitney Biennial curator Francesco Bonami was recently profiled in New York Magazine. A quick read, and interesting merely to see the slightly lazy "curator as failed artist" trope trotted out. The quote from Bonami I liked best was: "It’s a myth that curators change the career of an artist. The work of an artist changes the career of an artist."
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Opportunity: Events and Retreats at Wysing Arts Centre

Posted by Michelle Kasprzak • Saturday, March 7. 2009 • Category: Jobs & Opportunities
Wysing Arts Centre invites participants to a special one day event hosted by the artist Phyllida Barlow, "What do artists do?",
Friday 20 March, 10am – 5pm.

What do artists do? is a project initiated by Barlow that investigates the invisible activities behind how artists make work - those processes which though they may not be seen, acknowledged or known, form the resources and motivation for an artist’s creative activity. A number of other guest speakers – artists, writers and curators - will also respond to Barlow’s question on the day.

What do artists do? will launch Escalator Visual Arts, a two year programme of artistic retreats at Wysing Arts Centre. Each retreat will be advertised through an open call for participants and will be curated around a specific theme. The retreats, which will begin in July of this year, will be open to any artist or curator living in the East of England. A small number of subsistence bursaries will be available to participants and out of each retreat a number of the region’s artists and curators will be indentified to receive further individual support.

Wysing is delighted to be working in partnership with The Royal College of Art MA in Curating on the curation and delivery of each retreat. Following an application process, the MA programme will also select which of the region’s artists and curators will attend the retreats, with 10 places being available on each one.

The event What do artists do? will launch the programme and is open to any visual artist or curator living or working in the East of England though booking is essential as places for this event are limited to 40. The event is free and lunch will be provided.

To register please contact Escalator at- wysingartscentre.org or call 01954 718881. Closing date for registration Monday 16 March.

Phyllida Barlow will be speaking about her own art practice at Wysing Arts Centre on Thursday 19 March, 6-8pm.
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Digital Curatorship: Public Programming in the Information Age

Posted by Michelle Kasprzak • Tuesday, February 5. 2008 • Category: Announcements
Digital Curatorship: Public Programming in the Information Age is a Connecting Principle event at Culture Lab, Newcastle University, organised in collaboration with the School of Arts and Cultures, 12th February 2008.

This mini-symposium is an opportunity to engage with the constantly evolving nature of practice in the curatorship of digital and new media art. We (Newcastle University) aim to do this by bringing together some of the different constituencies at work in the field both in the North East and beyond, and by providing a platform for different perspectives and informed debate. The event will comprise a series of short presentations from practitioners within the field followed by wider panel discussions including further invited participants.

Likely themes/questions to be addressed might include:

- The natures and identities of digital curatorship (products and processes, changing ideas of the 'artwork'/'artefact', visitor experiences)
- Different professional perspectives on digital curatorship and programming, e.g. those of the artist, artist-curator, curator, technician, educator, artist-educator, conservator, academic etc.
- Digital art and sound/music
- Digital curatorship/programming, installation and site specificity
- Net art and the gallery/exhibition
- Digital curatorship/programming in urban contexts
- Conserving and managing new media in art museum/gallery and exhibition contexts

Speakers include: Chris Whitehead, Michelle Kasprzak, Alistair Robinson, Kirk Woolford, Sarah Cook,
Atau Tanaka, Beryl Graham, Sally Jane Norman.

The panel discussions will pick up and expand upon key themes, issues and ideas which emerge in the preceding talks and will allow for dialogue between speakers and audience members.

The event is linked into the curricula for the postgraduate programmes in Art Museum and Gallery Studies and Art Museum and Gallery Education, but is also open more generally: to staff and students from other programmes, other universities, artists and cultural sector professionals from the region and beyond.

The proceedings may be disseminated in various ways -- through digital recording and streaming and possibly through web or print publication.

Register to attend this free event here.

Links:
Culture Lab
Connecting Principle
Centre for Cultural and Heritage Studies
Fine Art Department
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Curating panel at DEAF 07

Posted by Michelle Kasprzak • Tuesday, April 10. 2007 • Category: Announcements
The eighth Dutch Electronic Art Festival (DEAF) opens today in Rotterdam. One of the most important international art and technology festivals, DEAF is organized every two years by V2_, Institute for the Unstable Media. This is a special year, as V2_ is also celebrating its twenty-fifth anniversary during DEAF07 with a night of music and performances at Staal in Rotterdam on Saturday, April 14. The theme this year is Interact or Die!

Of special interest to curators is the GLOBAL BENDING: Opening Creative Space - Rooting Curatorial Media Practice in China panel discussion that will take place on Friday, 13 April, from 14.00 - 16.30. I am an invited respondent to this panel and look forward to engaging with the panelists. If you are unable to make it to Rotterdam, you can watch live streams for many of the events, including this panel on curating.

Download the full DEAF 07 programme (PDF file) here, read more about how to tune into the live streams here, and follow along on the DEAF 07 blog here.
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Pick 'N Mix - April 2007

Posted by Michelle Kasprzak • Sunday, April 1. 2007 • Category: Pick 'N Mix
To start off the new month (and I promise none of these will lead you to a silly April Fool's joke) I thought I'd provide a little "pick 'n mix" of what I've browsed lately that is of interest to curators:
  • Hanne Mugaas and Cory Arcangel have compiled (curated!) a very interesting list of art videos on YouTube, as part of a larger project entitled Art Since 1960 (According to the Internet). Definitely worth a look, set aside a bit of time if you dare click here!

  • Interviews on curating.info are coming up in the next few months (they are still in the incubator!) but for now go read this good (though brief) interview with curator Lu Jie on Artkrush.

  • In a détournement of the office football pool, Leisure Arts has created a championship pool for curators. While I'm unsure how it works precisely (sports pools are clear since there are matches of one team versus another, and I'm uncertain how one curator is pitted against another) it is an amusing concept nonetheless. Check it out here.

  • The Museums and the Web conference is in just ten days! Read the conference abstracts and full papers here.

  • d/Lux/MediaArts has just released the Coding Cultures Handbook, which offers some interesting perspectives on digital tools, social networks, and open labs - all concepts which have, will, and in some cases, truly should influence curatorial and museological models.

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Curator's talk: Nat Muller at Studio XX

Posted by Michelle Kasprzak • Thursday, September 28. 2006 • Category: Announcements
Méta Femmes [email protected]ées 05 – Nat Muller
October 5th 2006, 10AM, at Studio XX

StudioXX celebrates its 10th birthday under the auspices of Event X, 2 days of conferences, round table discussions and performances. In connection with this event StudioXX will host visitor Nat Muller to present her own curatorial practice.

Nat Muller will be at StudioXX in the morning, on the 5th of October to host an intimate talk on her curatorial work. Her primary research directions have concentrated on the intersections between aesthetics, technology and politics, as well as new media and art practices in the Middle East. Nat will update us on her position as curator working between Europe and the Middle East, bringing up questions emerging from this networked practice which is, according to her, often schizophrenic. You are cordially invited to take part in this discussion.

In order to orient and animate the discussion we have invited active local curator Alice Ming Wai Jim who has recently returned to Montreal after working for 3 years in conservation at the Vancouver International Center for Contemporary Asian Art (Center A). Alice is now a professor at Concordia University. Her main fields of interest include contemporary Asian art, the art of the Diaspora, new medias, theories of representation, globalization, urban studies and curatorial practices. The links between the practices and orientations of Alice Min Wai Jim and Nat Muller promise to foster a dynamic discussion between these two interventionists and the attending public.

The discussion will be in English. $5, free admission for members. Register: [email protected] or call (514) 845-7934

Studio XX
338 Terrasse Saint-Denis, Montréal (Québec) H2X 1E8 Canada
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