Digital Curatorship: Public Programming in the Information Age is a Connecting Principle event at Culture Lab, Newcastle University, organised in collaboration with the School of Arts and Cultures, 12th February 2008
This mini-symposium is an opportunity to engage with the constantly evolving nature of practice in the curatorship of digital and new media art. We (Newcastle University) aim to do this by bringing together some of the different constituencies at work in the field both in the North East and beyond, and by providing a platform for different perspectives and informed debate. The event will comprise a series of short presentations from practitioners within the field followed by wider panel discussions including further invited participants.
Likely themes/questions to be addressed might include:
- The natures and identities of digital curatorship (products and processes, changing ideas of the 'artwork'/'artefact', visitor experiences)
- Different professional perspectives on digital curatorship and programming, e.g. those of the artist, artist-curator, curator, technician, educator, artist-educator, conservator, academic etc.
- Digital art and sound/music
- Digital curatorship/programming, installation and site specificity
- Net art and the gallery/exhibition
- Digital curatorship/programming in urban contexts
- Conserving and managing new media in art museum/gallery and exhibition contexts
Speakers include: Chris Whitehead, Michelle Kasprzak, Alistair Robinson, Kirk Woolford, Sarah Cook,
Atau Tanaka, Beryl Graham, Sally Jane Norman.
The panel discussions will pick up and expand upon key themes, issues and ideas which emerge in the preceding talks and will allow for dialogue between speakers and audience members.
The event is linked into the curricula for the postgraduate programmes in Art Museum and Gallery Studies and Art Museum and Gallery Education, but is also open more generally: to staff and students from other programmes, other universities, artists and cultural sector professionals from the region and beyond.
The proceedings may be disseminated in various ways -- through digital recording and streaming and possibly through web or print publication.
Register to attend this free event here.
Centre for Cultural and Heritage Studies
Fine Art Department